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埃琳娜Deanda-Camacho

教师
世界语言及文化学系
  • Professor of Spanish and Black Studies; Director of  Black Studies Minor

埃琳娜Deanda-Camacho

埃琳娜Deanda-Camacho

 

办公时间

MWF 12:30 to 2:30 and F from 2:30 to 4 PM

埃琳娜Deanda-Camacho is a Professor of Spanish and Black Studies, and the Director 的 黑人研究项目 在海洋之神590网址. She received her BA from the University of Veracruz, 墨西哥, and her PhD from Vanderbilt University. Besides literature, she has studied philosophy, religion, and medieval studies in 墨西哥, France, and the USA.
 

Deanda specializes in early modern Spanish literature with an emphasis in the Spanish 启蒙运动与墨西哥殖民地. Her research moves between medieval women’s theology and prostitution in the eighteenth century. 她的学术研究和教学实践 interrogates questions about gender, race, and ethnicity; desire, sex, and love; inquisitorial 审查制度和言论自由.

She has published in academic journals in the United States, Canada, 墨西哥, Spain, 德国，法国和英国. Her work has been funded by the Mellon Foundation, the Spanish ministries of 文化, Science, and Innovation, the North American Association of Modern Languages, the Association for the Studies of Eighteenth-Century Studies, the National Fund for 文化 and the Arts of 墨西哥, and the government of Veracruz. 
 
她2022年的专著 Offensive to pious ears, Obscenity and censorship in eighteenth-century poetry in 西班牙和新西班牙 (Iberoamericana/Vervuert) won the 2023 Prize for the Best Monograph given by the Spanish 18岁社团th 世纪研究(SESXVIII). 她的第二部专著 Trovar: Metapoetics of Occitania and Sotavento 将 be published in 2023 by the University of Veracruz.
 
She is currently working on a monograph entitled "Pornopoetics" where she theorizes the poetics of pornography in 18th-Century imperial Europe. 迪安达是外向的 president 的 Ibero-American Society for Eighteenth-Century Studies  (IASECS) and the 2023 recipient of a Fulbright Global Scholar Award in the universities of Bonn in Germany, Oviedo in Spain, and UNAM in 墨西哥. 
 

进攻性是一种具有攻击性的钢琴

教育

Ph.D.范德比尔特大学，2010年

B.A. 墨西哥韦拉克鲁斯大学，2001年

研究

  • Golden Age, Baroque, and the Enlightenment
  • Gender studies, queer theory, critical race theory, critical theory
  • 西班牙和墨西哥

教学

  • How to Make Love in Early Modern Spain 
  • Love and War in the Spanish Golden Age
  • 近代早期欧洲的恶与德 
  • Prehispanic文学
  • 十字军、征服者和移民
  • 非洲-拉丁美洲
  • Tequila Gang: 墨西哥 Across the Centuries
  • 禁止文学

出版物

"Bailadoras: Las mujeres y el fandango en España y la Nueva España del siglo 18.” Revista de Estudios de Género y Sexualidades 48.2 (2022): 75-94

“Hell is Over: Poetry and Protest in the Folksong Jarabe Gatuno in Eighteenth Century 墨西哥.” Protest in the Long Eighteenth Century. Ed. 伊冯·富恩特斯. 纽约:劳特利奇出版社，2021. 

“Fanny Hill, la pornografía y la novela sentimental: El eslabón faltante en la gesta de la novela inglesa dieciochesca” [Fanny Hill, Pornography and the Sentimental novel: The Missing Link in the Making 的 Eighteenth Century English Novel] nueva Poligrafias. Revista de Teoría Literaria y Literatura Comparada 3 (2021): 38-56. 

“‘Chingaquedito:’ Son y Subversión en el México del siglo 18” [‘Chingaquedito: Song and Subversion in 18th Century 墨西哥’]. Música Oral del Sur (2020): 303-21.  

“The Reproduction of Non-Productive Sex: The Brothel as a Site of Learning in English, 法语和西班牙的色情片.” Das achtzehnte Jahrhundert 44.2 (2020): 190-209. 

“La pornología como un instrumento epistemológico en Fanny Hill, Thérèse Philosophe, el Arte de putear y las Décimas a las prostitutas de México” [Pornology as an Epistemological Instrument in Fanny Hill, Thérèse Philosopher, the Art of Whoring, and Poems to Mexican 妓女). 第十八届Siglo工作室 30 (2020): 137-64.  

“Dys/Eu-phemisms: The Pornographic and the Erotic in Eighteenth Century Spanish Poetry.” 色情的情感. 查德·莱希和尼克·琼斯编. 纽约:Routledge出版社，2020年. 110-140. 

“Quevedo en México: La lealtad y la traición en las glosas del padrenuestro prohibidas 可怜的la Inquisición.” Flavia Gherardi and Miguel Angel Candelas Colodron, eds. Amor constante: Quevedo más allá de la muerte. Bellaterra: Universitat Autònoma de Barcelona, 2018. 71-92. 

“Sor Juana, doctora en Teología: la sabiduría y el conocimiento en los villancicos de 1676.” Calíope: Journal 的 Society for Renaissance and Baroque Hispanic Poetry
22.2 (2017): 191-216.

“Quixotic Sade: Echoes of Cervantes in 《所多玛的120天.” 18世纪文化研究 46 (2017): 21-33.

“From Hell to Hell: Bodily Regimes and Archival 研究 in 墨西哥, Spain, the Vatican, 和法国” Dieciocho 39.2 (2016): 296-301.

“La fatalidad del poder: La Muerte como el Papa y el Inquisidor en Las Cortes de la Muerte de michael de Carvajal和Lope de Vega.” 喜剧演员公报 67.2 (2015): 157-76.

“Speak in SIlence: The Power of Weakness in the 作品 of Teresa de Cartagena.” eHumanista 29 (2015): 461-475. 

“Maldito ‘Jarabe Gatuno:’ Poeticas de la censura inquisitorial en la Nueva Espana.” Vanderbilt e-journal of Luso-Hispanic Studies 10 (2014): 25-36. 

”“介绍” Silence Revisited: Censorship, Regulation, and Freedom of Speech,” Vanderbilt e-journal of Luso-Hispanic Studies 10 (2014): 》.

“Percances de la memoria: El sujeto y la colectividad en 阿卡蒂奥·伊达尔戈之家.” Ed. Donaji Cuellar. Literatura de tradicion oral de 墨西哥: Generos representativos. San Luis-Xalapa: Colegio de San Luis-U of Veracruz, 2012. 197-221. 

 玛丽亚·坎德拉利亚说 办公室里的人. Representando a la mujer indigena en el 墨西哥 del siglo XX.” 记号现象 13.1 (2011): 69-84.

 “The Politics of a Colonial Folksong: Male Bonding, Pardos’ Chuchumbe, and the Inquisitorial Body.” 横向 10 (2010): 15 pp.

 “El chuchumbé te he de soplar: sobre obscenidad, censura y memoria oral en el primer '儿子德拉蒂拉'新伊斯帕尼奥.” 老爷 36 (2007): 53-71.

 “On Joy, Death, and Writing: From Autobiography to Autothanatography in Clarice Lispector’s 作品.” 罗曼语工作论文 1.1 (2006) 卷. :国际空间站. 1、第五条.